Prompt Lib

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I tried creating a manga. The theme is 'Trial and Error'.

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Create an addictively intriguing storyboard in 3X3 gride with 9 images featuring a woman and man in an award-winning luxury luggage commercial. The story should have emotional highs and lows, ending on an elegant shot of the woman with the logo. The identity of the woman and man and their attire must stay consistent throughout but they should be seen from different angles and distances.

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Output image is 2x2 four-panel split Video Style: {argument name="video style" default="2000s Japanese Anime OVA style"} Background: Late-night city streets. Gaps between deserted roads and skyscrapers. Black liquid splattered from a giant monster adheres to the asphalt and walls. Dust and sparks are flying. Character 1: High school girl with long black hair. Wearing a sailor uniform. A Japanese sword is sheathed and hanging at her waist. She looks around cautiously, adopting a low stance. Character 2: High school girl with blonde bob hair. Wearing a blazer uniform. Standing behind her companion, holding one hand ready to use her ability at any moment. Her expression is tense. Enemy Presence: Black liquid gathers and transforms into a humanoid entity with a fibrous, thread-like texture. Its face is vague, its limbs are unnaturally long, and it crawls across the ground and walls with unnatural movements. Cut 1: Close-up of the ground. Filled with black liquid. Flying dust and sparks Cut 2: Medium shot. The humanoid anomaly, rising from the black liquid, awkwardly begins to stand up. Thread-like shadows droop, dragging on the ground. Cut 3: Low-angle wide shot. Multiple anomalies appear one after another from the roads and walls, encircling the girls in a circle. The cityscape emphasizes the feeling of being surrounded. Cut 4: Shot over the girls' backs. In front of them is a horde of black humanoids closing in. The black-haired girl rests her hand on the sheath, and the blonde-haired girl prepares to activate her ability. The composition emphasizes the tension right before the battle.

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Place 9 panels of [ratio] size in a [4:5] ratio on a clean 3x3 [ratio] storyboard grid. Use the reference image as the base image for the product. The product, packaging design, branding, materials, colors, ratio, and overall identity must be exactly the same as the reference image. The product must be clearly recognizable in all frames. Labels, logos, and ratios must be exactly the same. This storyboard is a high-end designer mock-up presentation for a branding portfolio. It focuses on shape, composition, material, and visual rhythm, not realism or lifestyle narratives. The overall look should convey a curated, edited, and design-driven impression. Frame 1: A hero shot of the product taken from the front in a clean studio setup. Neutral background, balanced composition, calm and confident product presentation. Frame 2: A close-up shot focused on the center of the product. Focus on surface texture, material, and printing details. Frame 3: The reference product placed in an environment that naturally blends into the brand and product category. Studio setting inspired by the product's design elements and colors. Frame 4: A scene showing the product being used or interacted with against a neutral studio background. Hands and interaction elements are minimized, with an appearance that matches the packaging style. Frame 5: An isometric composition with multiple products viewed from the top, arranged in precise geometric order. All products are viewed from the same top isometric perspective, evenly spaced, clean, and graphic. Frame 6: The product is slightly tilted and floating against a neutral background that matches the reference image's color palette. The product floats naturally in space due to the intentionally angled floating. Frame 7: An extremely close-up shot focusing on specific details such as labels, edges, textures, or material behavior. Frame 8: The product is in an unexpected yet aesthetically powerful setting, giving a bold, editorial, and visually striking impression. Unexpected yet highly stylized setting. Studio-based, designer-led production. Bold composition that enhances the brand image. Frame 9: A wide composition showing the product in use within a sophisticated designer setting. Minimal props, controlled styling, and consistency with the rest of the series. Camera and Style: Ultra-high quality studio photography with a realistic camera look. Different camera angles and framing for each frame. Depth of field, accurate lighting, precise materials and reflections. The lighting logic, color palette, mood, and visual language must be consistent across all nine panels, unifying them as a single series. Output: A clean 3x3 grid without borders, text, captions, or watermarks.

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Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions. Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment. You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object): Row 1 (establishing the environment): Extreme long shot (ELS): the subject appears small within a vast environment. Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof). Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects). Row 2 (core coverage): 4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action. 5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject. 6. Close-up (CU): tightly framed on the face or the “front” of the object. Row 3 (details and angles): 7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail. 8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling). 9. High-angle shot (bird’s-eye): look down on the subject from above. Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots). Create a professional 3×3 cinematic storyboard grid with 9 panels. The grid should present a specific subject/scene from the input image across a full range of focal lengths. Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up). Middle row: waist-up view, chest-up view, face/front close-up. Bottom row: macro details, low angle, high angle. All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.

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"{argument name="situation title" default="The Saint and the Demon"}" Saint: {argument name="saint style" default="fantasy saint, cel-shaded yet cinematic, salvation, bust-up framing, loving kindness"} Demon: {argument name="demon style" default="social game-style rendering, cinematic, demonic transformation, temptation, bust-up framing, red light"}

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Respecting the collaboration between Wizardry and Genba Neko (site cat), I urgently replaced the planned post content! Because I specified a "cat-human character," the third panel shows five fingers + paw pads, which is typical of AI output, but since a cat's paw can't make an OK sign, this is fine!

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Create a brand visual storyboard for presenting your product with Nano Banana Pro:

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1. Extreme close-up 2. Low-angle 3. Ground level view 4. Back-to-the-camera